Monthly Archives: April 2011

Your First Book Almost Certainly Stinks

Mine did. I banged out the first draft in thirty days (350 pages, more or less) and shot it out to a couple of readers, including Eric Patten and my wife Emily (this was before the Story Monkeys formally existed, … Continue reading

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Structure: Hollywood Movies

There’s actually a lot to say about the structure of Hollywood films, but the basic building blocks they overwhelmingly share are three acts.  Here’s how it looks: Act One (30 minutes): we meet the hero, and are made to feel … Continue reading

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What Is Steampunk?

This is Steampunk.

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End on a Hook

The night was warm, there was no fog in the garden, and I felt happy.  After cheese, I watched the Trifles and the Pennystocks say their good-byes and leave, and my parents send Miss Truehart away in a hansom.  Lady … Continue reading

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My Sister

Here’s another pop song by me.  Review its structure; note the verses (the journey), the choruses (the theme) and the bridge (the moment of confrontation and realization). The crickets are quiet, the ground is hard when I get upA lot … Continue reading

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Start on a Hook

On the evening of the day that my father and I both died, he swept into the house jubilant and loud.  Horrocks met him at the door, mumbling his usual polite welcomes and queries about his master’s day while he … Continue reading

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The Serpent Mound

Here’s a nineteenth century sketch of the Serpent Mound.  The real one is outside Peebles, Ohio.  This is an important piece of archaeological Americana that figures into Witchy Eye, and it’s my only geographical cheat in the novel; I moved … Continue reading

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Last Man Standing (Hereward’s Song)

Here’s another ballad of mine.  It’s about Hereward the Saxon (misnamed “the Wake”, thanks to later fraudulent genealogists trying to claim him as an ancestor), one of my heroes. It’s been a long, hard journey, since Peterborough burnedMany a good man … Continue reading

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Structure: Chiasmus

I have been avoiding poetry in these notes on structure, principally because I am not qualified and secondarily because surely you already know that poetry is structured writing.  I will, though, write briefly about one kind of “poetic” structure, because … Continue reading

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Structure: The Gospel of Matthew

I want to persuade you that writing is structured.  Here’s another example. The Gospel of Matthew has a beginning consisting of a two-part prologue, the first part narrating the birth and infancy of Jesus (Matthew 1-2) and the second part … Continue reading

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