Salt Lake Comic Con

I’ll be at Comic Con this week, talking, playing guitar, acting with the Space Balrogs, and selling books.  Here’s my schedule (most of the rest of the time, I should be in the Artists Alley).

Thursday:

4:00 BRAIIIINS! Interactive Zombie Apocalypse Rock Opera

6:00 Choose Your Own Apocalypse

8:00 Steampunk, Cyberpunk, and Punk Rock

Friday:

6:00 Horror and Religion

Saturday:

12:00 Monster Songwriting: Music With Teeth

7:00 Dystopian Control Schemes: Discussions on Government, Freedom, and Paranoia

8:00 The Hero’s Journey in Cinema and Storytelling

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This Is Not the ALS Ice Bucket Challenge

My friend Brian challenged me, but in my heart it feels too late to take the ALS Challenge.  So we have contributed to the charities to which we regularly contribute, and instead of dousing myself with ice, I offer you this poem — Good-Friday, 1613. Riding Westward. — by John Donne.  My chickens contribute, as only chickens can.

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The Methode of a Poet Historical

“For the Methode of a Poet Historical is not such, as of an Historiographer.  For an Historiographer discourseth of affayres orderly as they were donne, accounting as well the times as the actions, but a Poet thrusteth into the middest, even where it most concerneth him, and there recoursing to the thinges forepaste, and divining of thinges to come, maketh a pleasing Analysis of all.”

— Edmund Spenser, in a letter to Sir Walter Raleigh, explaining The Faerie Queene

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Bookshelf: Apuleius

The climax of The Golden Ass is when Lucius is transformed from donkey back to human form by the goddess Isis, in order to be initiated.  Here’s what he says about the rites directly:

“Listen then, but believe; for what I tell you is the truth.  I came to the boundary of death and after treading Proserpine’s threshold I returned having traversed all the elements; at midnight I saw the sun shining with brilliant light; I approached the gods below and the gods above face to face and worshipped them in their actual presence.”

The ending seems like a non sequitur, but tends to suggest that some or all of the fast-paced adventure narrative leading up to it, a series of ribald and violent scenes playing out lengthy journeys, magical transformations, exotic marriages, judicial proceedings, false deaths, and feasting, should be taken as an adventure tale retelling in some way the mysteries Apuleius claims to conceal.

Joseph and Aseneth, another Hellenistic tale (in this case a romance, rather than an adventure story), seems similarly to be entertainment concealing beneath it the deep secrets of mystery religion, with its angelic visitors, swarms of heavenly bees, and tales of sacred meals.

Two books make a genre, and what a fascinating genre this is!  I’m sad no one is writing such novels today.  At least, I’m unaware that such novels are being written.  But then, maybe I’m just not initiated into the right mysteries.

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Soundly

P.S. Do you know, I meant to hurl that nasty statuette into the tall grass, but I suppose I must have forgotten to do so? As I lay down on my saddle blankets, I saw it crouching at the edges of the firelight, staring at me with those horrid eyes. I tried to sleep regardless, but, feeling spied upon, I eventually rose and threw the ugly thing away as I had first intended. Now, no doubt, I shall sleep soundly.

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Everything

“Immo vero” inquam “Impertite sermonis non quidem curiosum, sed qui velim scire vel cuncta vel certe plurima…”

“No, please,” I said, “let me in on this — not that I’m nosy, it’s just that I’m the sort of person who likes to know everything, or at least as much as I can.”

— Apuleius, The Golden Ass

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Top 5 Tips

for-wordpress

See it on YouTube — come find me at SLComicCon to discuss.

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Gangrene

This year, the Gangrene  Film Festival is branching out by adding a second day (August 30) that will be a Creative Symposium.  I’ll be part of the symposium, first doing a Choose Your Own Apocalypse event with the Space Balrogs and then running Iron Cricket: The Mormon Steampunk Choose-Your-Own-Adventure Game.  Come check us out!

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Bookshelf: This Darkness Light

jpegNot content to start his latest with a bang, Michaelbrent Collings starts it with three simultaneous explosions: a vacillating U.S. president apparently led by a mysterious person known only as ‘X’ into authorizing missile strikes on a civilian population against the better judgment of his own underpowered conscience; a transoceanic passenger plane whose passengers erupt explosively into their constituent goo only to be be put out of their mercy by a guided rocket; and a man who wakes up in a hospital bed with amnesia, certain only that he has a mission to carry out and that the wounds he has suffered should by rights have killed him.  With no letting up on the acceleration pedal, soon we’re into conflicted doom-bearing assassins, mutating thugs, adrenalin-filled car chases, and… the end of the world?

Get This Darkness Light by Michaelbrent Collings.  You won’t be disappointed.

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What Has Happened

I’ve just finished reading Rust Hills’s book Writing in General and the Short Story in Particular.  I’ve quoted him a few times, and could have quoted him more; I feel compelled to wind up my reading with the sharing of this quote, which I think he wrote in 1977:

“What has happened to American book publishing in the last twenty-five years is amazing, but it is so well known it can be recounted in a series of catch phrases.  First came the mergers, so there were fewer ‘houses.’  Then the corporate takeovers.  The unknowing, uncaring absentee owners interested only in profits.  No longer a family business.  No longer a gentleman’s profession.  Good editors promoted to be bad business executives.  The demise of the small bookstore.  The blockbuster principle — going for the big best seller at the expense of the promising first novel.  The mass-market paperback tail wagging the hardcover dog.  Hardcover and paperback houses buying one another out to make publishing a single process.  Editors going from house to house.  No loyalty to authors anymore.  No loyalty back from the big authors who go where the big bucks are.  Too many titles published each year, too few novels.  Absurdly large advances to ‘name’ authors.  Absurdly small advances to new ones.”

Here’s my two-part takeaway:  1) publishing is a business, and really it always has been; 2) that business is in flux, and really it always has been.

Get used to it.

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