History Cake

Emily Adams published a review of City of the Saints a few days ago on A Motley Vision, and I want to share it here.

Because it turns out, that much of what I write could be described as “history cake.”  And the stories that aren’t history cake might be “theology cake” or “politics cake.”  I write with Easter eggs, and sometimes with lots of them.  Those Easter eggs are riffs on other books (I’ve put a number of those in my upcoming steampunk fantasy book, Knopf 2016), on other authors, on songs, on comic book characters, on history, on community, or on Biblical passages, and those Easter eggs tie what I write into the universe of larger discourse.

Because writing is not escape.  Writing is engagement.

Writing is how you talk back to history, comment on anthropology, and plant ideas in the minds of readers to shape the future. The better you master that universe of discourse, the more you’re able to shape it, re-create it, subvert it, laugh at it, or underscore its tragedy.  Writing is Everything Cake.

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Bookshelf: The Billy Saga

jpegMichaelbrent Collings is a writer probably best known for his horror51IWBUS6H2L novels, but he’s always written outside that genre, from science fiction thrillers to young adult vampire romance to karate instruction manual.

With the Billy Saga, Michaelbrent gets into Middle Grade (or young young adult) fantasy adventure: the Harry Potter / Fablehaven / Ranger’s Apprentice space.

Young Billy Jones, new kid in school and fatherless, discovers that there is around him an unseen world of Powers: Life, Death, Fire, Water, and Air, each served by a camp of power-wielding individuals, none of of whom is, at least at the start, particularly congenial to Billy.  Billy himself seems to have some natural magical talent, but begins his experience with this world as an errand boy, shuttling between the Powers and trying not to get squashed.

71vhlTKkzxL._SL1350_As Billy’s own inheritance and the nature of his talents become clear (two words, and I apologize for the spoiler: King Arthur), Billy becomes increasingly active among the Powers.  His quest: to collect a series of fabled arms that will bring him to his full stature as his father’s true heir, and then to stand against the terrible servants of Death in their war to reduce the cosmos to a lifeless waste.

 

 

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Resolutions

The last year+ has been tumultuous.  We moved twice, I changed career and ramped in a new job, and Emily and I each got a book deal.  I’m not saying a bad year, but it’s been challenging, with lots of moving targets and many extraordinary tasks to accomplish.

The dust is settling now, and I find I need to re-orient myself.  So here are some resolutions:

1. Write.  This is the basic task of the writer, and I have not been doing enough of it.  I’ll have to prioritize based on deadlines, but just in terms of existing projects and sequels to existing projects, I already have on my plate:

  • Two sequels to The Kidnap Plot
  • Two sequels to Crecheling (starting with Urbane)
  • A sequel to City of the Saints (working title: The Iron Mission)
  • Five more installments of Rock Band Fights Evil (All Along the Watchtower is about 1/3 written)
  • Animation writing: currently I have work for Adam and the Octopus Club, a TV series in development
  • Another non-fiction book on ancient scripture (who has ears to hear, let him hear)

On top of that, I have ideas for more stuff, that I need to write and get to Deborah so we can get it to editors.  None of this will write itself.  So my modest goal is 20 pages per week.

Totally achievable, though to get there I may have to grow thicker skin and get willing to write while sitting on an airplane in coach.

2. Promote.  My public appearance goal is to get to one event per month.  If you know any, invite.  This week I’m going to go talk to a class on publishing.  I have Westercon coming up, and ComicCon, and hopefully others.

My social media goal is to share at least one thing every day and my blogging goal is to publishing at least one post a week.

3. Help. I firmly believe in the community of writers.  I’m not sure I can fix a goal here, and what I can accomplish will have to be subject to my other goals and time, but I like helping other writers: reading manuscripts, editing pitch letters, sharing con table space, et cetera.  Loosely, I guess, my goal is: help every writer I reasonably can.

There we go, I’m committed.  What are you going to do?

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Bookshelf: Small Town Monsters

Craig Nybo is the Norman Rockwell of gory monster adventure fiction.

51E6bUcjWdL._SY344_BO1,204,203,200_I’ve read two of Craig’s novels (his earlier foray into similar space — “just your average zombies versus the KKK story,” as he likes to say — was Allied Zombies for Peace, a breakneck 42-minute romp through a small town holiday parade that goes to hell with the throwing of an anarchist’s bomb and ends up with divisions of WWI vets, WWII vets, Vietnam vets, zombies, and the Ku Klux Klan going to the mat in real time), and here’s what I think the Craig Nybo, Novelist, brand is:

MONSTERS

ACTION

AMERICANA

Nybo likes small American towns and small-town institutions (diners, parades, sheriffs, local papers), almost to the point of being cliched.  I don’t view that pressing against the boundary of the hackneyed as being a bad thing, actually — I think Nybo knows what he finds evocative and powerful and he goes for its heart, willingly taking the risk that a reader might say “aw, I’ve seen this before.”

51xAbYuT1FL._SY344_BO1,204,203,200_Except that the reader hasn’t seen this before, unless he’s been watching a lot of B monster movies and re-imagining them into the settings of Goonies or Doc Hollywood.  Nybo’s newer novel (I think a third may be imminent, and the teaser at the back of Small Town Monsters suggests that Nybo’s continued to put down roots in his brand) is set in rural Montana, and follows an ensemble cast (though principally the Chief of Police, relocated from California and constantly butting up against small town secrets and prejudices, and a young woman with a brutal father and a need to get out of town) through their scrambling reactions as the town experiences the return of an old nightmare it had thought dead and buried: werewolf killings.

It would be easy to turn his small town settings and characters either into cynical critiques of America or shiny two-dimensional posters inviting you to go fishing in the Big Sky Country, and it is to Nybo’s great credit that he does neither.  Like David Byrne at his best, Nybo seems to contemplate America with pleasure and, at the same time, an awareness of imperfections.  That combination of affection and realism keep the stories gripping and fresh and prevents them from feeling like some kind of moralistic attack on the American small town.

I can’t wait for the next one.

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[words]

Words

I stopped in recently at [words], a terrific independent bookstore in Maplewood, New Jersey (in the Newark area).  Maplewood is lovely, in that narrow streets and lots of trees village way that old towns in the northeastern US can have.

[words] has a great selection, including lots of MG and YA literature.  I had a good chat with Seamus, a member of staff, about what he likes and reads and about how independent bookstores interact with authors.  Before I left, I spotted fellow Story Monkey Platte Clark:

BU

And also my editor, Michelle Frey (sorry, this one is blurry):

Wonder

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Bookshelf: Captain Nemo

I’m reading Jules Verne these days, to try to learn to read a little French, if not speak it.  So when I sat on a panel on Steampunk at FanX with Kevin J. Anderson, and we talked about Jules Verne and his Voyages Extraordinaires, and then I learned that Kevin has written an alt-take on Verne and one of his most famous characters, I had to buy the book.

And man, am I glad I did.  Captain Nemo is a mashup not only of Verne and his fictional submariner, but of Verne and all his most famous characters.  The basic conceit is that Verne is a hack with no imagination, and in order to have the literary career he wants, he pilfers liberally from the life and real adventures of his boyhood friend, Andre Nemo, who lives through scientific exploration, pirates, desert isles, captivity by Turks, journeys under the sea and to the center of the earth, and so on and so on.

This doesn’t mean that you already know the plot of Captain Nemo.  If you’ve read Verne, what Captain Nemo will give you is a long and delightful cascade of Easter eggs, a respinning and repackaging of tale after tale that never ceases to enthrall.

Amazon doesn’t seem to have the paperback available, but here’s the link to the ebook.

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Zombie Enfranchisement

At Salt Lake City ComicCon’s recent FanExperience convention, Craig Nybo, Michaelbrent Collings, and I staged a mock trial.  Craig’s an audio engineer and producer (he has lots of talents), and on the day he miked us.  Here’s the audio.

This is nearly 100% improvised.

https://www.youtube.com/watch?v=kcIcP3Fo-tM&feature=youtu.be

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What Is Steampunk? (Storymakers)

This weekend I taught at LDS Storymakers, an annual writing conference held in Utah.  I taught on the subject of Steampunk, and I won’t share all my slides, in case I get invited to teach the same material again, but I will share these three.  The content, as I recall, comes from The Steampunk Scholar, Mike Perschon.

Slide1Slide2Slide3

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Bookshelf: Lights in the Deep

The “R” stands for Real.

Brad Torgersen has been a friend for a few years, a guy I’ve seen around conventions several times a year and on social media more frequently.  I’ve known him as something of a dork (that’s a compliment), a hold-out for real science fiction in full knowledge of the fact that it’s a hard sell for many readers, quiet, friendly, a cheerful warrior for his causes, and a genuinely nice guy.  I’d never read him.

jpegMy mistake.  This week, having bought a copy of Torgersen’s anthology of shorts, Lights in the Deep, at Salt Lake City’s FanExperience convention, I finally made right my error.  Torgersen’s ten stories are genuine science fiction, not space opera, which means the emphasis is on extrapolation from current science to storylines rather than on rayguns, lightsabers, and desert skiff slave babes.  The stories are thoughtful and thought-provoking, with plots ranging from interspecies war to environmental disaster-caused apocalypse to remote transhumanist futures, in every case with a humane kernel touching on faith, intimacy, trust, self-sacrifice, love, or other root human experiences.

Interspersed among the stories are several introductions and interludes that collectively narrate Torgersen’s career to date, and give further charming glimpses of Brad the nice guy, smart, excited, and willing to work hard.

Do yourself a favor.  Here’s the link again.

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Convention Highlights: FanX 2014

DSC_0126I admit I entered into my first panel with some trepidation: the idea of litigating zombie civil rights is hilarious, but I greatly feared that I was going to do a bad job.  And, as it turned out, I lost.  But not because I didn’t zealously represent my client!  That smarmy southern-drawling huckster Michaelbrent Collings just played to the anti-life-challenged bigotry of the jury, and I shall appeal virtually all the rulings of Judge Nybo.  Apparently the Dungeoncrawlers Radio guys videotaped it, so with luck I’ll eventually put up a link.  My second panel was a discussion of religion in science fiction and fantasy.  It was ecumenical (the religions of Tolkienism, Cardery, the Lewisites, and the Kingsmen were all represented), civil, and deep.  It is always a pleasure to sit on or watch a panel with Michael Collings, who is sensitive, wise, and profound.

BlnflY4CIAAndNADuring the day, fellow authors Scott Taylor, Jaleta Clegg, Sarah E. Seeley and I rotated through the Table of Awesome.  We sold books and made friends, and I advertised the TV shows in development I’ve worked with.

In the evening, Craig Nybo, Scott Taylor, and an intimate group of new and future friends sat down to discuss music and novels.  Despite the title Punch in the Face (my fault), this panel turned out to be a sensitive and nuanced comparison of the crafts of songwriting and novel writing.  I’d do that again in a heartbeat.

Day two in Artists Alley meant more new friends (Stewart, Logan, Jason, Laura — hello!), old friends (Paul Anderson, Larry Correia, Howard Tayler), and selling books.

In the afternoon, my panels started with a discussion of the Hero’s Journey, moderated by Lisa Mangum.  I was pleasantly surprised to be part of introducing Joseph Campbell’s The Hero with a Thousand Faces to virtually the entire audience.    Then I sat on a panel of old friends.  I was already aware that Paul Anderson, Nathan Shumate, Carter Reid, and Michael Collings are all my superiors in Lovecraft knowledge; now I know they also know more than I do about Edgar Allan Poe.  Sometimes, it’s a pleasure to realize how little you know.  In the evening I was invited to crash into a discussion of steampunk.  Friends Dan Willis, Scott Taylor, and James Wymore were on the panel, and I 10176252_10203706305316126_5106830536240243543_nhad the great pleasure of meeting Kevin Anderson, a steampunk pioneer, prolific writer, and formidable entrepreneur.  I finished up Friday with a gang improvisation of a science fiction story.  Johnny Worth, Craig Nybo, Dan Willis, and I did our best, but I think Eric James Stone provided the key insights that got us through an appropriate and interestingly symbolic climax, with our protagonist dissolving herself into a sea of sentient and benevolent water in order to kill it, a massive crime that also saves the innocent citizens of the galaxy from a worse evil.

On Saturday Steve Peck and S.A. Butler joined us at the Table of Awesome.

My opening gambit at my Saturday afternoon panel on advice for aspiring writers, moderated by Brad “R is for Rictus” Torgersen, was “never call yourself an aspiring writer.”  I stand by that advice.  I met Peter Wacks of Wordfire Press and later circled up with him and Kevin both at the publisher’s booth.  I led an alien force — beings of pure thought — in a game of rival apocalypses against Bob Defendi (robots) and Michaelbrent Collings (zombies), James Wymore moderating.  I wish the panel had been taped; it was antic and epic both.  Especially the poetry round.  Michaelbrent emoted powerfully through a slam performance about zombies and Bob rhymed Schwarzenegger with Schwarzenegger.  I improvised: Roses are red / Violets are blue / As I take over, zombies starve to death / And I simply unplug you.  It was not enough to win.  Finally, I sat with my friends Rob Wells and John 1661330_10204148416095118_4911381910513016434_nSteiner on a panel discussing dystopian fiction, moderated by Brad “R is for Righteous” Torgersen.  Rob’s looking fit, and has a beautiful dog, Annie.

Big shout out to Blake Casselman and all the organizers of FanX and the Salt Lake City ComicCon.  I had a great event, and look forward to next year.

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