How Can I Help My Author Friend?

A skeletal and non-exhaustive list, offered with no comment. You can:

  • Buy her book.
  • Buy more copies, and give them as gifts.
  • Share on social media that you’ve bought the book.
  • Reshare your friend’s announcements about the book.
  • Reshare great reviews of your friend’s book.
  • Post a review to Amazon, Goodreads, or other sites.
  • Share your review on social media.
  • Feature her cover art on your “wall” or other social media platform. Provide a link.
  • “Like” good reviews of her book.
  • Review her book on your blog.
  • Invite her to post about her book’s release on your blog.
  • Suggest her book to your book club.
  • Write and share a filk song based on her book.
  • Ask your library to order a copy.
  • Ask your kids’ school to order a copy.
  • Attend your friend’s book launch.
  • Offer to host a book launch for your friend.
  • Pass information about public speaking opportunities (at libraries, schools, conventions) to your friend.
  • Cosplay your friend’s characters at conventions.
  • Tell other people verbally about the book.
  • Sell copies on consignment in your place of business.
  • Suggest your kids do book reports on her book.
  • Leave a copy lying prominently in your house for people to notice and ask about.
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Bookshelf: Long Live the Suicide King

4183unlvEDL._SX322_BO1,204,203,200_Mostly I put speculative fiction on the Bookshelf here, because that’s what I myself read (mostly) and write (again, mostly).

Long Live the Suicide King is not spec fic. It’s quirky, dark, funny, touching, and ultimately redemptive storytelling about middle-class alienation, the wreckage of a failing family, depression, drugs, and suicide.

JD (now Jim) is a literate, funny, mouthy teenager. A bad experience with his druggie friends kicks him into a no man’s land of uncertainty bounded by suicide, guitar-playing Christianity, going clean, getting high again, guilt, and an elderly neighbor lady who talks with great clarity, but no pity at all, about JD’s Weltschmertz. Somewhere between JD provoking the local jock into beating him up and his helping Inga climb out of her flower bed, JD throws away his old self (neatly symbolized here by his giving all his clothing to the Goodwill, which he then finds himself buying back, one article at a time) and has to choose who he’s going to be.

Aaron Michael Ritchey is a talent to watch in the YA space. And once you’ve read this, go check out Dandelion Iron, the beginning of his great post-apocalyptic cattle drive saga.

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The Queer and the Strange

“But the queer and the strange, the unrestrained, the grotesque is not only interesting: it is valuable. It is not always necessary to purge it out altogether in order to attain to the Sublime. You can have your gargoyles on your noble cathedral, but Europe has lost much through too often trying to build Greek Temples.”

— J.R.R. Tolkien, On ‘The Kalevala’ or Land of Heroes

Tolkien was 22 when he wrote that.

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Velocity

I’m in several segments of this publishing industry, now: self-publishing, indie-publishing, and, releases imminent, big-press-publishing. The segments work differently in many ways, one of which is speed. Let’s set aside the middle ground for this brief discussion and focus on the two extremes.

On the one hand, I can bring a self-published book to market fast. And on the other hand, because I don’t have shareholders and quarterly profit targets, I can let that book pay off slowly. Until 75 years after my death, in fact, my heirs can collect the proceeds of sales of that book.

At the other end, it takes a long time — months or years — for a big press to bring a book to market. This is because they have multiple layers of editing, and established, involved processes around marketing, and full calendars into which they need to fit each launch. On the other hand, after all that effort, a big press watches very closely to see how well a book does right after it launches. Especially book one of a series. And especially book one of a series by a new writer.

Why is this? Well, they have lots of decisions to make about that book and its author. Should they buy his next series? Should they extend the series to more books? How much marketing muscle should they put behind book two? Should their foreign affiliates buy the book for translation and publishing in other markets? And they have to make those decisions fast, and they have to do it with shareholders looking over their shoulder.

So how many copies a book sells in the weeks immediately after its launch becomes really important.

Kidnap Plot finalWhy am I telling you this? Because on June 14, 2016 — a month from tomorrow — Knopf releases THE KIDNAP PLOT. This is my big press debut. I wrote THE KIDNAP PLOT in 2012 and Knopf bought the rights to it in 2014. It’s the first book in a series that I’d like to tell in six books. I’d like Random House affiliates and other publishers outside the US to get excited about it. I want you to read it, because it’s fantastic. It’s the story of Charlie Pondicherry, a boy whose father is kidnapped. On his journey to rescue his dad, Charlie battles terrifying monsters, wins strange allies, and learns uncomfortable truths about his father… and himself.

And to reach the audience I want, I need to sell a lot of copies early.

You can preorder the book now, and I hope many people will. You can help me spread the word when the book comes out. And you can forgive me when, in the middle of June, I talk about nothing else for two weeks.

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Bookshelf: Residue

51Vj2GSVE9L._SX311_BO1,204,203,200_Teenaged Jack Bishop sees the psychic residue left behind murders and monsters. His gift kicks in for the first time exactly when needed—upon the mysterious disappearance of his father, head of security at the mysterious Helix Corporation.

Investigating his dad’s disappearance thrusts Jack into a surprising world of genetic manipulation, cruel experiments, corporate rivalry, and the melding of high science and the paranormal. It also tangles him up with Alex Courtney, fellow teenager, mindreader, and employee of Jack’s dad. But the stakes really hit the roof when a mysterious corporate Insider, who can turn Helix’s security systems off at will and who stays always beyond Alex’s reach, reveals to Jack that he and his abilities are the prize that Helix and its rivals are fighting over.

Residue is a YA horror-adventure story in the mold of the X-Files or Dan Wells’s John Cleaver books. Steve Diamond’s novel debut announces him as a force to be reckoned with, and a writer to watch.

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Bookshelf: Bluescreen

5111ptfJfGL._SX325_BO1,204,203,200_Bluescreen launches a series author Dan Wells hopes, in the book’s Acknowledgements, will be “very long.” Well, I hope so too.

The series appears to be called Mirador, after its geographical setting. This is cyberpunk sprawl Los Angeles, in a future in which two thirds of the world’s population carry implanted djinnis. These devices are both the ubiquitous omnitool successor to the smartphone and also the jack by which their bearers interface with the internet. Stores and homes recognize a user’s djinni so they can market to him or open the front door; djinni-bearers feel disoriented when they are temporarily forced to shut down the devices.

Bluescreen‘s protagonist is Marisa, hacker and leader of the Cherry Dogs, a high-profile online gaming group whose motto is “live crazy.” The words come to haunt the group when their path intersects mysterious shadowy figures who have released Bluescreen into the wild. This software is marketed as a rich-kid cyberdrug that is plugged into a user’s djinni and causes the user to reboot… but it may turn out to be something much worse.

Wells, as always, writes lucid prose, action-filled stories, and compelling characters. Can’t wait for the next one.

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Bookshelf: Pack Dynamics

51Rl7B7kL4L._SX322_BO1,204,203,200_After getting out of the Army, Ben becomes a private investigator, in which capacity one of his big clients is billionaire pharmaceuticals CEO Alex Jarrett. Ben’s Ranger experience makes him a great PI, tenacious, tough, and clever… but his experience as a POW in the middle east leaves him with post-traumatic stress issues. And getting the crap kicked out of him by Jarrett’s enemies doesn’t help.

Jarrett’s enemies include Hans Ostheim, who is also a pharma CEO… and a werewolf to boot. Ostheim’s wife is a vampire struggling with a terrible illness, and there is no threat, sabotage, espionage, or bullying to which Ostheim will not stoop to get the remedy from his rival Alex Jarrett.

And when Ben gets beat up one time too many, Jarrett injects the remedy… a nanotechnological healing serum… into Ben’s body to save him. Mind you, becoming the story’s McGuffin can only make Ben’s life worse.

Writers of the Future winner Julie Frost’s novel debut Pack Dynamics is packed with action, monsters, and tough gals and guys. It’s reminiscent of Larry Correia’s Monster Hunter International series, played out on a smaller stage. If you like awesome, this one’s for you.

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Bookshelf: Million Dollar Productivity

516f0cUQHbL._SX311_BO1,204,203,200_I needed a quick short in the arm this week, to get me focused on what I should be doing to get to where I want to go.

Kevin J. Anderson’s Million Dollar Productivity did the trick. As Anderson says, not all eleven of his tricks are going to work for me. But many of them will.

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Witchy Eye: Roots of the Setting

41mk6HtCC0L._SX334_BO1,204,203,200_My blackpowder fantasy novel Witchy Eye: Flight of the Serpent’s Daughter has been acquired by Toni Weisskopf at Baen. I’m excited about it, and am going to start sharing some of the book’s roots from time to time.

I was reading David Hackett Fisher’s Albion’s Seed. This is a broad and also in-depth study of the main currents of English migration to North America, breaking those migrants down into four: a Puritan stream from south-east England to the Massachusetts Bay; a Cavalier group from the West Country to the Chesapeake; Quakers from the Midlands to the Delaware; and North British Borderers, traveling from the English-Celtic borderlands in northern England and Ireland to Appalachia. Albion’s Seed is an insightful and fascinating book.

To my kids, meanwhile, I was reading a complete collection of the Brothers Grimm’s tales. The more I read, the more I realized that these stories, as I had absorbed them in my own childhood, had shaped my idea of what a fairy tale 61rP1m8lAOL._SX329_BO1,204,203,200_setting (or a fantasy setting) should be. Since the tales’ setting was the early modern Holy Roman Empire, with its maze of overlapping authorities, dense network of loyalties, and multi-ethnic polity spread over many lands and more or less united under a single Emperor, I conceived the idea of writing a fantasy novel in the Holy Roman Empire.

So I girded myself to read about the Reformation and the Thirty Years War and the Hapsburgs. But before I could start, I got my second root idea… that I could write a novel set in an early America, reshaped in the mold of the Holy Roman Empire.

Behold Witchy Eye. The year is 1815. The Empress Mad Hannah Penn, after long years in seclusion, has died. Her brother Thomas has been raised to the imperial throne by the College of Electors. And in Nashville, a talented young hexer named Sarah Calhoun takes her father’s tobacco crop to the fair…

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Bookshelf: Son of the Black Sword

51PO+t-vpGL._SX327_BO1,204,203,200_Larry Correia takes a turn away from guns and monsters (which are awesome) toward India-inspired epic fantasy heavy with prophecy, curses, dynastic politics, oaths, demons, and chivalric orders. This is great stuff.

Son of the Black Sword tells the story of Ashok Vadal, contributed by House Vadal to be one of the Protectors, the knightly-monastic Protectors of the atheistic, caste-supporting Law. Ashok is not only a scion of House Vadal, he is also the bearer of Angruvadal, the black sword, the family’s ancestral sacred weapon. And he is a fanatic.

But from the beginning, we see that something is not right. Some part of Ashok rejects the hatred of the casteless that his beloved Law teaches him, leaving him a twisted and complex person as well as a nearly unstoppable warrior.

Then Ashok learns secrets about his own history that reveal that not only is his life a lie, his existence is riven with paradox. Cast out, he becomes the focus of prophecy, the quarry of assassins, and the leader of a rebellion of the hopeless.

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