Themes

I’ve been reflecting on this more than will be apparent from the post, but in connection with the many changes in my personal and professional life in recent months, I’ve come to see that I have several go-to themes.  I write about these a lot, implicitly or explicitly, though I rarely intend to write about them.  I’m too lazy to look it up, but I think in On Writing Stephen King talks about theme and how it grows out of a story rather than the other way around, and how writers tend to go to a limited number of key themes.

Anyway, whether King said it or not, it’s been my experience.

So here’s a non-exhaustive list of ideas that recur in my writing.  They must be important to me:

  • The limited nature of knowledge.
  • Inheritance from one’s ancestors.
  • The selfishness inherent even in good people.
  • The good seeds inherent even in people who do terribly wicked things.
  • Governance by secret powers.
  • Resistance organized in secret alliance.
  • The joy of language.
  • The importance of song.
  • Humor as a defense against despair, defeat, and lack of meaning.
  • Spiritual truths hidden in plain view.
  • The necessity of endurance.
  • The beautiful sameness of the Other.
  • Unforeseen consequences.
  • Knowledge, and especially self-knowledge, as power.

What themes do you write about?

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Fan-X Schedule

Fan-X is coming to Salt Lake City in a week and a half.  Here’s my schedule (and look for me at all other times in the dealer room):

4/17 1:00 pm: Zombie Enfranchisement: The Court Battle

4/17 2:00 pm: Religion in Science Fiction and Fantasy

4/17 8:00 pm: Punch in the Face: What Rock n’ Roll Can Teach You About Writing

4/18 12:00 pm: The Hero’s Journey: What Everything from Lord of the Rings to Star Wars Teaches about the Hero’s Journey

4/18 2:00 pm: Lovecraft and Poe: What Influence do They Have on Modern Horror?

4/18 8:00 pm: Build a Story: Watch Authors Brainstorm a Complete Story

4/19 2:00 pm: Top Things to Do and Not to Do as an Aspiring Writer

4/19 6:00 pm: Choose Your Own Apocalypse —The Game

4/19 7:00 pm: World Building for Dystopian, Utopian and Apocalyptic Futures: How to Do it Right

 

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Sold!

kidnap-hi-res-sans-textThanks and congratulations to Deborah at East/West Literary (my agent) and Michelle Frey at Knopf… my editor!  Deborah and I have accepted a three book offer from Knopf for The Kidnap Plot and two sequels.

I look forward to polishing the first book with Michelle and working out the rest of the series.  While I deal with that, you can enjoy Carter Reid’s concept cover art, to the left.

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Represent!

I’m very excited to announce that I’ve accepted representation from Deborah Warren of East/West Literary.  It’s not entirely coincidental that I’m dusting off my blog and Twitter presence — she and I should soon be going to editors with a MG steampunk project: The Kidnap Plot.

For your delectation, here is a concept art / cover by Carter Reid.

kidnap-hi-res-sans-text

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Mike?

Rider cocked his revolved and pointed it at Mike’s head.

And Chuy, in Scarecrow’s body, whacked his spiked club into Rider’s grinning face.  Scarecrow, it turned out, was a muscular man, and had none of the underfeeding-induced weakness Chuy felt, despite his pressups.  So when Chuy swung the club as hard as he could—

the weapon’s nails sank without effort into Rider’s face—

Chuy lost his grip—

and Rider’s head snapped off his shoulders.  The moment of disconnect sounded like a snapping twig, and then the head and attached club winged out over the rusted hood of a blue Buick and disappeared.  Chuy’s momentum carried him forward so far he tripped over Rider and Bull Head and fell to the ground.

“Twitch!” Mike gasped.

Oh yeah.  Chuy climbed to his feet and armed himself: Rider’s pistol in one hand and Bull Head’s curved sword in the other.  He advanced on the cage and two spearmen who stood outside it.  Scarecrow resisted, tried to take control of himself back.

Stop it, Chuy told him.

The Bull will be angry.

The Bull is dead.  I killed him. 

As he stomped in Scarecrow’s body closer to the wheeled cage, Chuy got a good look at the animals pulling it.  The Drays, he thought Bull Head had called them, unless by that he meant the bats.  They looked something like elephants, only smaller, and hairy, and they had huge lower jaws that gaped down, revealing teeth like Bowie knives.

Saber-toothed elephants?

Not that Bull.  The real one.

I’m not afraid of the Bull.  Chuy meant it.  Dead and damned already, what was the Bull going to do to him, even if Eddie and the others were right and the Bull was one of the Fallen, the originals rebels against Heaven?

Who are you?

The spearman stepped hesitantly towards Chuy.  They must not know what to make of the fight they’d witnessed, Chuy knew.  Too bad.  He raised the pistol and fired.  Bang, bang! two shots to the chest dropped the first guard and bang! a third, right in his neck, killed the second.

MRWARUUMPH!

The Drays bellowed and shook their shoulders, but didn’t burst out of the chains that held them yoked to the wagon.  Chuy snatched a ring of keys off the belt of one of the spearman and took advantage of Scarecrow’s strength to pick up the dead man and hurl his corpse in front of the Drays.  He didn’t look at what they did with it, but the bellowing stopped and was replaced by chomping and sucking sounds.

Chuy unlocked the gate.  Twitch hesitated a moment, and behind her the other prisoners hung back and watched with hollow, nervous eyes.

“Mike?” she asked.  She sounded like a nervous innocent girl, but she was poised in a sideways crouch in a way that made Chuy think she was ready to kick him in the teeth if he gave the wrong answer.

Mike?”  Chuy choked.  “I kill a bunch of worthless sons of bitches and risk my own neck to cut you out of jail and probably save you from instant death and you pay me back by mistaking me for that dumb maricón?”

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‘Cause It’s a Taco Truck

“Go to hell,” Chuy said.

“Been there.”  Eddie Marlowe, the wire-thin, jittery rock and roll guitarist, shot his bloodshot eyes left and right around the rubble that had once been a parking lot.  The S on the wall above Eddie had collapsed with the brick under it, but it had left behind EARS, and Chuy found the combination of that work and Eddie’s darting glances creepy.  He felt like he was being spied on.   I think Eddie’s a prophet.  Maybe you ought to show some respect.  No he ain’t, you stupid maricón.  And I wouldn’t care if he was.  Still, he was always looking at unseen things, Eddie.  “Done that.”

“The Mare isn’t tired.”  That came from Jane, who sometimes was Qayna, the stone cold killer with knives strapped to her body and a cowboy hat.  She’s not a Latina.  I didn’t say she was.  Shut your pie hole, idiot.  I mean, shut my pie hole.  And don’t say anything about her boobs.  You ain’t fooling anyone.  Apparently Jane was really old.  She had crazy tattoos, seemed to crawl all over her like bugs.

The Mare was Jane’s horse, a big black snorting monster with fangs.  When Jane let the horse free to graze, it came back with bloody teeth.  Occasionally, it coughed up hairballs.  Just like a cat, only what came up was bits of fur and bone.  Now it just stood glaring at the end of the reins in Jane’s hand, reeking of rotting meat.  Chuy could feel Mike trying not to look at the Mare, or trying to drag Chuy’s hand up to grab the crosses and medals that hung on his chest.  Chuy forced the hand down to his side, fixed his eyes on the big animal and spat his contempt on the shattered asphalt on which he stood.  Living with Mike in the same body was like wearing the same clothes as someone—wherever you went, you went together, and you were constantly wrestling over control.  Fortunately, Mike was a pussy.

“I’m tired of the Mare,” Twitch said.  She looked out of place among the ragged band of weirdos; she looked like a teenaged girl in skinny jeans and a t-shirt spangled with the photos of some boy band that disintegrated along with everything else in the Fall.  Dirty and scraped up, but Twitch could have been just another suburban kid.  She’s no kid, check out her… she’s a fairy.  Be nice to her.  Chuy ignored Mike.  “We can’t all ride the Mare, anyway, we’re tired.”

“And there’s gas in the truck.”  Eddie jerked his head at the vehicle.

“Do you hear something?”  Twitch cocked her head to one side.

“There’s probably cans of refried beans in the truck, too.  ’Cause it’s a taco truck.  So hell no.  Even if I could, which I can’t.”

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Life, the Universe, and Everything 2014

The organizers heavy-loaded me up front.  Here’s my schedule:

Thursday:

11:00 am Pen Names, with Mikey Brooks and others

1:00 pm Writing from an Outline, with Rob Wells and others

2:00 pm Modern Fantasy and its Relation to Folklore, with Mikey Brooks and others

3:00 pm The Inklings and Their Disciples, with Michael R. Collings and others

Friday:

2:00 pm Jules Verne, with Deren Hansen, Brett Peterson, and others

6:00 pm Originality, with Nathan Shumate and others

I’m pretty amused that the panel descriptions for both Modern Fantasy and The Inklings include references to J.K. Rowling, and I don’t think she belongs in either.  With luck, this will occasion sharp disagreement and maybe even a brawl.

Look for me also at evening filking, and in the dealer room.

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Crecheling Out Today

crecheling ebook coverCrecheling, out today as an ebook on Amazon, is my young adult debut.  It’s the first of a trilogy, called The Buza System.  Crecheling follows Dyan, a young woman with a gift for understanding people, and her fellow Creche-Leavers as they prepare to pass the System’s threshold into adult, Urbane, status.  Only adulthood, and the System, turn out not to be quite what Dyan expected.

The Buza System is one part Hunger Games, one part Firefly, and one part Lord of the Flies.  Crecheling is full of horses and outlaws, monofilament whips and vibro-blades, totalitarian oppression and the unsettling, chaotic power of love.  Check it out today.

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We Very Much Want You

HOMINES ARDENT, she read.  The men burn.  Unintelligible lines.  More lines she could read, few and far between, but as she sank deeper into the reading the Latin language fell away and the words burned themselves directly into Metic Fallows’s consciousness.

The four-arms knew this.

The summit temple records the final defeat.

Gupta is a madman.  He didn’t go first, but he went furthest.

Women.  It wants women.

It reads our minds.  It speaks to our minds.  It controls our minds.

Beware the wind.

I cannot let myself be taken.

And finally, after two pages of completely unreadable blots, a single word scratched out in gigantic letters across half a page: FUGITE.

Flee.

She heard a footfall outside the galley and dropped the book, fumbling it to the floor.

Silence.  Metic looked over to Doctor Plectrum to find that the older woman had dozed off, slumped improbably against the galley wall without having fallen from the stool.  Her snoring and Lillian’s rasped gently out of sync, dissonant pitches and competing rhythms, a slow tenor and a quick bass.

“Thulliver?”  Metic called hesitantly.  There was no answer.  “Durmont?”

Silence.

Metic shivered violently, a spasm crossing her back and prickling the skin between her shoulder blades.  A terrible hunch gripped her and she reached up to her exosuit helmet to switch the comms unit from broadcasting to other exosuits on the network to external-audible mode.  She picked up her blaster.

Her voice felt tiny in the silence, but she cleared her throat and called out.  “Who’s there?  This is Sapient Metic Fallows of Femship Atalanta.  Are you a crewman of Actaeon?”

A voice rattled into the galley from the corridor beyond.  It was a man’s voice, dry, sad, and remote.  A voice she knew.  A voice she had heard before, speaking from a Lillian Chatterjee-faced, worm-bodied creature of her own dreams.

“We’re afraid,” the voice said.

She hesitated.  “Of what?” she asked.

“We’re afraid you won’t like us.”

A pause.

“We very much want you to like us.”

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What Is Steampunk? (Air-Ships Today)

Looks like the zeppelin is making a comeback.  Me, I’m still holding out for the Phlogiston Gun.

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